Classically-trained in Florence, Italy, Thimgan (pronounced
tim'-ee-in) Hayden seeks out the highest quality artists' materials and uses traditional methods to create meaningful portraits
of lasting quality and beauty. Her greatest influences include the works of Caravaggio, Velazquez, and Van Dyck.
The first step in commissioning a portrait is to contact the artist or representative and arrange
for an initial talk or visit. The artist and client will discuss plans for the piece. Where will the painting hang? How large
will it be? How formal? What special objects or clothing may be used? Where will the sittings take place? The decision to
be painted and by whom is an important one and a rapport between the artist and sitter is essential. The experience should
be comfortable as well as memorable.
A portrait
from life usually requires a minimum of 3 sittings of 3 hours each. A large, complex painting painted strictly from life
may take 14 or more sittings. For optimal working conditions, Hayden paints from life in her studio. When painting children
or an adult that is unable to travel to the studio location, the artist will consider working from studies and preparatory
photographs--and fewer sittings. This is decided on a case-by-case basis.
Once all of
the initial details have been worked out and a written agreement signed, the artist will begin developing ideas for the piece.
The artist asks for a 30-40% deposit at this time. The client will see studies and/or the lay-in of the painting by which
to judge the mood and composition. If the client approves, work will continue. It's best to allow 3 to 6 months from the start
to the the completion of a portrait when possible. Prices for oil portraits range from $2,000 to $18,000 or more
depending on the complexity. Drawings and portrait sketches are also available with prices from $400.
Having one's portrait painted or drawn is a momentous event. The goal of
the artist is to create a beautiful and deeply personal work of art that will bring pleasure to many generations.
